media, information, the contemporary

Tag: Archive


  • Books in the Biosphere: Lecture by Isabel Hofmeyr

    Date and Time: 5 December, 2023 at 5:00pm.  Location: Seminar Room, CSDS, 29 Rajpur Road, Delhi Nearest Metro Station: Civil Lines Zoom: https://bit.ly/3QJ7qbB   Isabel Hofmeyr will deliver the 24th B. N. Ganguli Memorial Lecture on ‘Books in the Biosphere: Print Culture in the Anthropocene’. It will be chaired by Ravi Sundaram. Like disciplines across…

  • Call for Papers: Twenty-First Century Media? Affective Bodies, Crowds and Collectives

    In the last two decades, digital media infrastructures have spread worldwide, including the global South. Despite inequalities of access, low-cost mobile devices and cheaper broadband have connected large subaltern populations to media infrastructures. The effects are increasingly planetary, initiating a series of debates in media scholarship and cultural theory. Mediatisation has emerged as a material…

  • Hinglish

    Sarai-CSDS and SOAS, London launched a three-year British Academy funded project called “Hinglish: The Social and Cultural Dimensions of Hindi-English Bilingualism” in early 2013. The project seeks to understand the contemporary explosion of a new mixed, middling linguistic register involving code-switching and code-mixing between English and Hindi. This popular phenomenon is by no means confined…

  • Objects, Media Technologies, Aesthetics and Politics: Material Histories and Cultural Imaginaries, India c. 1940-1960

    This project, supported by ICAS:MP, speaks to issues of archiving and memorialization by developing an engagement with a novel and underexplored terrain of historical experience. This is the world of objects as they bear testimony to major transformations in energy use, environment, travel, bodily health and cleanliness, registers of everyday life. We seek to attend to…

  • Publics and Practices in the History of the Present

    Publics and Practices in the History of the Present (PPHP) emerged in the early years of Sarai to explore rapidly changing mediated urban milieux through questions of production, distribution and delivery, circulation, information networks, legality, and the materiality of media forms. Practitioners, artists, activists, lawyers, and academics engaged with these themes through  ethnography, media practice, and…

  • Programmers and Archivists Workshop

    The Sarai Programme and the Centre for the Study of Culture and Society’s Digital Innovation Fund are organising a meeting on Sunday, 27th January to present and discuss the futures of Pandora and Open Media Library, two open media archiving/sharing software projects by Jan Gerber and Sebastian Lütgert, and to explore key questions and challenges…

  • Embalming the Obscure: Unpacking Cinephilia Undead

    The more I explore the cinephiliac circuits of obscure small budget films manifesting itself through networks of social media, the more I am reminded of an old curiosity shop stuck in the corner of a street with all kinds of valuable junk. In this room, the gathered and the collected, the scattered and the discarded, in this room the past and the present, the lost and the found, in this room the dead and the undead. This work of collecting and preserving the past is marked by the increasing importance of the fragmentary (the clip, the tribute, the ephemera etc) where many different pieces fit together, like in a puzzle, where the ludicrous, the ugly, the obscene, the erotic and the horrifying come together to construct a universe of the obscure…

  • Digital Ghosts: Spectral Presences on YouTube

    Geert Lovink made it clear that we have started watching databases rather than films and TV. 2015 YouTube statistics seem to be in serious agreement with that statement with over 4 billion videos viewed every day, between three to four hundred hours of video uploaded every minute. The vast unregulated folds of the internet has created infinite avenues of accessing cinema by way of easy exchange, transfer, uploads and downloads which in turn has created a new cinematic culture. Everybody is contributing to this growing archive of films- fans, cinephiles, production houses, DVD labels and such. In this post I track the creation and sustenance of B-movie YouTube channels operated by fans…

  • Gunda, an unexpected journey: Tracking Cinephilia Undead

    The search for a trashy film can turn into a steeplechase of staggering emotions, a cinematic odyssey ranging from blasts of stunt and fantasy, through a landscape of the dismembered and the splattered, the violated and the avenged, oozing with sleaze and smut and insatiable appetites, intended seriousness, unintended ham handedness and such. Yet, at the end of it all it still opens out into a rather variegated terrain of discourses and counter discourses of cult, trash, the bad object and cultural detritus…

  • The Returned: The Rise of B-movie Cinephilia

    Picture first, in the murky blue of the sylvan night, one of the vampire’s minions in white satin with exaggerated face paint, false teeth and styrofoam wings flickers in front of you. She struggles to maintain her balance and as she is wheeled towards the camera her wings keep disappearing from shot to shot. Strangely though the disappearing wings seem to have little effect on the vampire’s flying skills. This haunting image is from Harinam Singh’s Shaitani Dracula (2003) which has become iconic in “B” cinephile circles…