media, information, the contemporary

Tag: Digital


  • Culture, Conflict and Cyberspace: Towards a Bodo Digital Identity

    The Death Valley (2012) is a multilingual short film by Rajiv Saikia that aims to capture the 2012 ethnic conflict between the Bodos and Muslims, highlighting how innocent civilians from both sides are caught in the crossfire. This fictional account tells the story of a Bodo man and a Muslim man who are on friendly terms. Their peaceful existence is disrupted when ethnic conflict erupts. The Bodo man is chased by a group of Muslim men before being brutally murdered while his Muslim friend is killed as he tries to save him. Afterwards, the women of the two families leave with their children because of the unsafe environment…

  • Morality, Illegality and Crime in Download Culture

    This is the third and final research note from Shiva Thorat, one of the researchers who received the Social Media Research grant for 2016.

    A Khandeshi album producer, who is also a politician, complained against me to the police. They gave me strict warnings on why I should not do download work. One of the policemen told me,

    “People involved in the production of the song cannot get any money when the transfer process is free. The product should be making profit to pay everyone who is involved in the production. They have copyright over the song and it is illegal. If someone is not paying for their produced song it is the case of copyright infringement and transferring them is a crime, we might arrest you”.

  • Daily Mobile Recharges to Water Tankers: Deconstructing the Infrastructure of Insecurity

    Packets of Diamond chips strung from store fronts are a common sight in Delhi’s peri-urban areas like Savda Ghevda or its dense informal settlements, but not in its formal colonies where larger brands such as Lays chips are found instead. The ‘pocket internet’ that thrives on small data recharge amounts for mobile phones that my previous posts have covered is marketed similar to the ‘sachet marketing’ of Diamond chips. Moreover, economic trends indicate that at least in rural India, these small but regular amounts being spent on internet have even begun to eat into the profits of consumer items such as chips and cold drinks…

  • Embalming the Obscure: Unpacking Cinephilia Undead

    The more I explore the cinephiliac circuits of obscure small budget films manifesting itself through networks of social media, the more I am reminded of an old curiosity shop stuck in the corner of a street with all kinds of valuable junk. In this room, the gathered and the collected, the scattered and the discarded, in this room the past and the present, the lost and the found, in this room the dead and the undead. This work of collecting and preserving the past is marked by the increasing importance of the fragmentary (the clip, the tribute, the ephemera etc) where many different pieces fit together, like in a puzzle, where the ludicrous, the ugly, the obscene, the erotic and the horrifying come together to construct a universe of the obscure…

  • The Quest for Bodoland: Social Media in the Time of a Separatist Movement – Part Two

    This is the second part of my two-part exploration of the Bodo community and its engagement with social media and the online world. This post builds on the first part where the focus of investigation was on the insurgency and the presence of reports, pictures, discussions, videos on social media pertaining to this.[1] This post will explore the presence of Bodo entertainment content, VCD films and music videos on websites like YouTube, and shared via social media. The focus will be on the kind of content that is shared as well as on specific content, exploring the links and connections that go into the production of a Bodo identity through the medium of the Internet, and the ways in which media today aids in the scattered explosion of such ideas and beliefs…

  • Mapping Sharing Networks and Cyber Corners in Informal Settlements

    I missed it the first time I passed by it. As if by Rowling magic, the game parlor appeared before me the second time I looked for it because this time I knew where to look, thanks to the two boys who enthusiastically kept pointing at it from their end of the street. One moment I am in the narrow, sunny lane of the Bhoomiheen camp in Govindpuri and the other, in a dark and dingy room filled with young boys exchanging expletives who are as surprised to find me in the midst of them as I am at first. After convincing them I am not lost, I am able to strike up a conversation with them on their favorite games…

  • Digital Ghosts: Spectral Presences on YouTube

    Geert Lovink made it clear that we have started watching databases rather than films and TV. 2015 YouTube statistics seem to be in serious agreement with that statement with over 4 billion videos viewed every day, between three to four hundred hours of video uploaded every minute. The vast unregulated folds of the internet has created infinite avenues of accessing cinema by way of easy exchange, transfer, uploads and downloads which in turn has created a new cinematic culture. Everybody is contributing to this growing archive of films- fans, cinephiles, production houses, DVD labels and such. In this post I track the creation and sustenance of B-movie YouTube channels operated by fans…

  • Idiot Box to Smart TV? – Televisual Aesthetics in the Digital Realms

    In 1974, when Raymond Williams was formulating the concept of “flows” in television broadcasting, he thought of them as “the defining characteristic of broadcasting, simultaneously as technology and as a cultural form” (80). Dismissing the notion of commercials as “interruptions” in between televisual content, he was, instead, mesmerized by the seamless “flow” of American TV that weaved in programmes and advertisements into a rhythmic structure. Speaking of broadcast TV, John Ellis emphasized the significance of “flow” through “segmentation” and considered it as a distinctive aesthetic form of TV programming…

  • Identity and Download Culture: Revolution or Farce?

    Caste is a systematic, oppressive structure that operates in the whole of Indian society as well as in my own location in Khandesh. This oppression exists within the strict binaries of identity and prevents liberation. The free market economy, in the context of ‘download work’, holds out the promise of liberation. This post narrates my story along with Akshay and Ganesh related to our ‘download work’. All of us belong to the Dalit – Adivasi community, and currently Akshay and Ganesh are employed in download work to support themselves and their families. ‘Download work’ becomes an option for livelihood, but does this work help them develop themselves more eclectically?…

  • The Quest for Bodoland: Social Media in the Time of a Separatist Movement – Part One

    In the first part of this two-part post, I aim to give a brief political history of the Bodoland movement which lays the ground for the rise of social media that has come to both inform and participate in the political situation in the region. The growing role of social media, as I see it, continues to reach out to a larger audience who take an interest in the movement for numerous reasons. Popular social media websites like Facebook and YouTube, which I focus on, have become points of dissemination for various types of news and information, thereby making it a multi-purposive platform…